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One Man Exhibition, Collette Allendy Paris (1959)
Exhibitions
Exhibitions
1955-1996
Showed regularly at London Group Exhibitions
1956
Summer Exhibition – Redfern Gallery
1958
Institute of Contemporary Art – Dover Street, London
“Five Young Artists” 1958 Peter Blake, John Barnicoat, Peter Corviello, William Green, Richard Smith
“Five Young Artists” 1958 Peter Blake, John Barnicoat, Peter Corviello, William Green, Richard Smith
1959
One Man Exhibition Galerie Collette Allendy – Paris
1960
AIA Jubilee Exhibition RBA Galleries – London
1962
One Man Exhibition Molton Gallery (Annely Juda) – London
1964
One Man Exhibition Queen Mary Gallery – London University
1977
One Man Exhibition Taranman Gallery – London (Showed regularly at the Taranman Gallery 1977-83, until the death of the owner Christopher Hewett)
1988
Royal College of Art “Exhibition Road” Exhibition
1993
Summer Exhibition Royal Academy of Art
1977
Work in private collections including the Government Art Collection: John Barnicoat Carnival III
1995 – 2008
Worked on several series: drawings & oils of the Bridges of London; Heads of women; acrylic and conté on paper and finally figurative pen and wash drawings.
2014
Six works exhibited at Studio Sienko Gallery. Symbolism in Abstraction Exhibition. 4 February – 29 March.
2017
St Ives Exhibition – Belgrave St Ives, Cornwall. 3 April – 10 June.
2018
St Ives Exhibition – Belgrave St Ives, Cornwall. 5 May – 4 June.
Summer Exhibition:Modern – Belgrave St Ives, Cornwall. 16 July – 6 August.
The London Group, The St Ives Connection – Belgrave St Ives, Cornwall. 8 – 29 September.
2019
2019 St Ives Exhibition – Belgrave St Ives, Cornwall. 8 – 29 April.
Winter Exhibition – Belgrave St Ives, Cornwall. 2 Dec – 6 Jan 2020.
Reviews
Review in Art International VI/10 December 20, 1962
..These dynamic tensions, these pressures of one area upon its neighbour, are the essential content of JOHN BARNICOAT’s paintings on show at the Molton Gallery. He uses thick and gritty paint, often in greys and ochres that emphasise their earthy character…materially solid and not very bright in colour,…. there is a great tension and a sense of slow flowing and a very gradual erosion of one shape by another…. In the best of them there is a slow, silent struggle that gives Barnicoat’s apparently sluggish paintings a surprising vitality and drama.
For further information please contact Allie Barnicoat.